Wolverine - Communication Lost
Year: 2011
Click here for the artist's site
A few years back I stumbled across a Swedish band called Wolverine. A track titled "His Cold Touch" was my first introduction. I was impressed and quickly sought out their other albums.
What I discovered was a really unique band that seemed to defy description. They called to mind a number of bands I really loved (Fates Warning, Riverside, Opeth, Pain of Salvation, Katatonia) yet still managed to have their own sound.
With their most recent release, that trademark sound has been honed to a razor sharp edge, polished to perfection. Let's just cut to the chase right here: Communication Lost is a fantastic album.
Showing posts with label progressive rock. Show all posts
Showing posts with label progressive rock. Show all posts
Thursday, June 30, 2011
Tuesday, June 15, 2010
Point-Counterpoint: Yes - Close to the Edge
Braeden
Even though Yes is one of the original progenitors of the progressive rock genre, it's taken me years to be willing and able to truly process their music. I can't really describe why that was; but be that as it may, two years ago I finally decided I needed to see what all the fuss was about.
Because Yes has been around so long, like any older group they have some albums that are stellar and some that are just "meh". Thankfully, Close to the Edge is the former. With only three tracks and clocking in at barely under forty minutes, it's a behemoth to try and digest, but doing so is more than worth the while.
The first song (in fact, in the original vinyl, the whole first side - not unlike Rush's "2112" or "Hemispheres") is the title track, one that starts with ambient sounds before erupting in a funkadelic beat. The bass, guitars, and keyboards are all going in different directions, soaring and weaving into one another, until vocal harmonies break through, silence everything, and it all coalesces into a wonderful whole, until the motif for the song is presented. The vocals are nearly always in harmony, and it flies quickly from quiet to loud with abandon, and the lyrics are mystical and spiritual. The real shining instrument here is Rick Wakeman's keyboard - he stands out among other very talented musicians, especially during that vibrant, effulgent organ section. It's one of the best examples of early progressive rock you'll ever hear.
This continues throughout the next two tracks as well, "And You and I" as well as "Siberian Khatru". The former continues an eastern, mystical motif musically and lyrically; it is about renewal and rebirth, whereas the latter seethes with energy and has a great beat and catchy syncopated guitar work. Both also exemplify what early progressive rock was, and it's obvious why this is regarded as many to be Yes' best album.
Final verdict: Adore it (with a mind for expansion)
Peter
Ah Yes. One of the quintessential progressive rock bands, even though they probably need it, they should require no introduction. Certainly groundbreaking, often innovative, Yes has long been a rotating cast of very skilled musicians.
Oh, and they are boring.
Yeah, I said it. Boooooooooring. Like insomniac curing boring. In fact, there is really only one song of theirs I can even stand. "Roundabout" is a decent track that wears out its welcome if you aren't hearing the radio edit.
So what can I say about Close to the Edge? It is an epic, sprawling work that is full of pseudo-mystical lyrics, impressive yet incredibly subdued music (even when "energetic"), piercingly high vocals and ZZZZZZZZZZZZZZZZZZZZZZZZZZZ. . .
Final verdict: Ignore it (unless you need some help with your insomnia)
Even though Yes is one of the original progenitors of the progressive rock genre, it's taken me years to be willing and able to truly process their music. I can't really describe why that was; but be that as it may, two years ago I finally decided I needed to see what all the fuss was about.
Because Yes has been around so long, like any older group they have some albums that are stellar and some that are just "meh". Thankfully, Close to the Edge is the former. With only three tracks and clocking in at barely under forty minutes, it's a behemoth to try and digest, but doing so is more than worth the while.
The first song (in fact, in the original vinyl, the whole first side - not unlike Rush's "2112" or "Hemispheres") is the title track, one that starts with ambient sounds before erupting in a funkadelic beat. The bass, guitars, and keyboards are all going in different directions, soaring and weaving into one another, until vocal harmonies break through, silence everything, and it all coalesces into a wonderful whole, until the motif for the song is presented. The vocals are nearly always in harmony, and it flies quickly from quiet to loud with abandon, and the lyrics are mystical and spiritual. The real shining instrument here is Rick Wakeman's keyboard - he stands out among other very talented musicians, especially during that vibrant, effulgent organ section. It's one of the best examples of early progressive rock you'll ever hear.
This continues throughout the next two tracks as well, "And You and I" as well as "Siberian Khatru". The former continues an eastern, mystical motif musically and lyrically; it is about renewal and rebirth, whereas the latter seethes with energy and has a great beat and catchy syncopated guitar work. Both also exemplify what early progressive rock was, and it's obvious why this is regarded as many to be Yes' best album.
Final verdict: Adore it (with a mind for expansion)
Peter
Ah Yes. One of the quintessential progressive rock bands, even though they probably need it, they should require no introduction. Certainly groundbreaking, often innovative, Yes has long been a rotating cast of very skilled musicians.
Oh, and they are boring.
Yeah, I said it. Boooooooooring. Like insomniac curing boring. In fact, there is really only one song of theirs I can even stand. "Roundabout" is a decent track that wears out its welcome if you aren't hearing the radio edit.
So what can I say about Close to the Edge? It is an epic, sprawling work that is full of pseudo-mystical lyrics, impressive yet incredibly subdued music (even when "energetic"), piercingly high vocals and ZZZZZZZZZZZZZZZZZZZZZZZZZZZ. . .
Final verdict: Ignore it (unless you need some help with your insomnia)
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