I’ve been an avid Fiona Apple fan since the early days, when Tidal first came out, and I heard the song “Shadowboxer” for the first time. I’ve just always been moved by her sultry, deep alto voice, creepy piano melodies, and disjointed but catchy lyrics. But I was even more a fan of her second album, When the Pawn . . . which showed so much growth as an artist and composer.
But I waited and waited for a third album. And then I waited some more. Finally, four-plus years since the release of her second album, Fiona finally blessed us with an album, and a great one it is. I think it’s probably her best; I’m absolutely enamored with it.
This album is everything that I’ve come to expect from a Fiona album. Its lyrics are disjointed, but eerily coherent. Her piano is more enjoyable than before, and the production is top-rate. In some songs, she uses an entire orchestra to get the effect she’s looking for. While this album has shown up on lots of critic’s lists of “Best Albums of 2005,” it’s the only one that I heartily agree with. This really is a wonderful album.
Tracks to catch: “Extraordinary Machine”: A solid opener, with great orchestration and weird rhyming schemes. “Get Him Back”: possibly my favorite some on the album, it bursts with energy and heart. “Tymps (the Sick in the Head Song)”: My other favorite, featuring another weird rhyme and a rhythm that gets trapped in the head.